interview
Today’s feast would like to mention a special way, so I call on the person who knows firsthand about the War – media people, whiling away something to remember and something to tell. Meet – a war veteran cameraman, director and producer Reiske Vladislav Stepanovich.
Vladislav’s childhood passed in the Kiev underground – when the war began, he was just 9 years old:
– The will of fate, my father returned from Kharkov to Kiev environment and organized at the direction of the central underground battle group of 15 people. I was a kid, 10-11 years of age. But we were older, understand. We were able to identify the sound, whose equipment is – ours or German. In general, I like could help his family. For example, we, boys, you can go anywhere, including the courtyard General Commissariat. And there was all the correspondence in boxes thrown away. And so we went there to collect stamps (there were so many, mostly portraits of Hitler.) One day my father said, well, it is believed the “top”, so that we – I and Vladimir Lysenko, my friend – took not only the brand, but also envelopes with correspondence. We never did, and brought them home. It’s all going somewhere “up”, the guerrilla headquarters.
– What was the worst job?
– Imagine walking down the street patrols. And my mother and I accept a string bag potatoes. It turns out that among the potatoes lying magnetic mine. These mines are we sneaking from the house to safe house underground. Where this was going on? Perhaps, in the direction of the railway to blow. But the worst was to play a role of a fisherman. From fishing rods and tackle all sorts gave me the guerrillas 2-3 people and we walked with them to the side of the Dnieper. I knew all the courtyards. We walked through the patrols – they have not been touched, thought we were fishermen. So reach Askold grave. I left them there and then they have other led to the Dnieper.
On War veteran recalls reluctantly. But the work of the operator told with pleasure. With television Vladislav Stepanovich met early:
– After the Army, I wanted to kinotehnikum and left an assistant cameraman. Then he entered the university to zaochku cameraman faculty. With great difficulty – there’s a crazy contest. Then he moved on to TV: I was invited to Moscow – Received information cameraman. And the 40 years I have devoted to this cause. His last place of work was the first national, I retired in 1990. Then he was still working on the TRC “Kiev” – as a director and producer.
operator working on the “First Channel”, Vladislav Stepanovich went to shoot for the program “Time” accident at Chernobyl. There he received 90 X-ray irradiation, and, as a consequence, the first group of disability.
«That we are right next to Unit 4. White suit, cotton »
– You were not afraid to go there?
– Afraid or not – it was my duty. Debt. We all worked there. Although … Not all. Some party cards thrown, others refused, saying, sorry, I have a young wife. One said that he had a young mistress.
– And you have at the time had a wife?
– Yes, of course.
– After Chernobyl, no compensation was promised?
– No. I was just doing the job party, editorial and government. Everything was to be honest – do you need someone to be there to work. After all these sufferings we were sent to a sanatorium for rehabilitation.
Exodus trip to the liquidators was sad – the majority of operators and journalists working in Chernobyl, the radiation dose received terrible. Many have died, others – disability. Vladislav Stepanovich was no exception – he now walks with a cane. But it is so cheerfully held to be envied by even 20-year-old boys.
Starring Reiske operator and the construction of the Baikal-Amur Mainline:
– At BAM came in the winter, with the first unit. On the one hand, it was interesting, on the other – were paid a lot of money. We have lived in warm barracks, but it was still very cold – the camera froze, battery froze. On plenochki I was shooting on film … It is now an automatic camera: removes all. No exposure, no need to measure. After all, when we were working on a film, you had to take into account the exposure, the sensitivity of the film, set light. Kinoopertor and cameraman – are two big differences. Recent work on the equipment, which is 70% solved all the issues. But you see old movies as they are beautiful – a drawing. And now that – all bathed in light, you can see everything …
– And how do you do TV today?
– Well, it’s my connection to the outside world.
– What channels look?
– Honestly? Channel 5 and TVi. There’s a lovely Natasha Sedletskaya works, we all look it. Beautiful and clever girl – went to Riga with a group unraveled all these machinations Boyko. By the way, Nick Knyazhytskyy came to us after the Lviv University and the first shot he was with me. We went into some kind of school. We were not allowed inside, but we still took off. It was clear that he was tenacious.
– to supervise the activities Knyazhytskyy now?
– Oh, there’s a lot of things are not clear.
– What kind of movies, TV series, see?
– Basically, this series. “Sheriff,” “Cool Nineties».
– A talent show?
– No. They can look at, but I’m not interested.
– How do you rate the TV from a professional point of view? Now operators comply with the rules set? Do you like the way they work?
– No, not interested in doing. A custom mouthpiece goes right for this government.
– And from a technical point of view?
– They are now easier – the equipment is light, high quality. But there are almost no images: a small podvodochka and went synchronous.
«My wife worked in television. She is a lawyer by education, but worked as an assistant director. The canal was one we have – “First” – and there met »
«In Makeyevka shot operation of the mine. This is my friend, a brilliant journalist Toll Rumin »
For 40 years, Vladislav Stepanovich was shooting documentaries and stories. Much has changed – technology, equipment, rules of photography. The operator, a veteran shared with me some interesting details, details of the time.
– To remove the story, you had to make a lot of manipulation, and, by hand – stand the light, exposure, etc. It was that shot, shot – and nothing happened?
– No, this was not. We did learn something. Sometimes on a whim turned out, and if they miss the mark, this is where the stock is on the tape. If you made a mistake or two on the diaphragm, the printer could all pull.
– What is the biggest project you shot?
– I basically shot himself, without a lot of cameras and equipment. Just when we were working on “Television movie,” it was necessary to take several chambers some cabaret performances. And in 2003, a film about Mirhorod shot, it was my project.
– What are the most valuable resource for more than 40 years on television, you have managed to pull off?
– A lot. Starring former guerrillas, for example. I accompanied the first delegation of former “kovpakovtsev” and “Fedorovtsev” who came to Ukraine. They sailed on the ship “Pavlik Morozov,” we were shown the battlefield, showing where they are forced Pripyat. Back in Chernobyl lot photographed. He remained in the heart, in the legs and all sores. By the way, there I was shooting Kobzon and Alla Pugacheva, they came to raise the spirits of the liquidators.
– Ever wanted to be a journalist?
– The fact that I wrote myself. Leaving on a business trip with a camera in any area and there was shooting 5-6 scenes, brought to the office and gave it. Himself wrote the lyrics, liner.
– you conducted illegal shooting?
– Was. Secret military bases in the USSR.
– when it works, what directors considered a role model?
– Yes, all our lumps. Roman Balayan I liked.
– You talk a lot about film cameras. A new’ve worked?
– At First National, they have not been caught. With film, film to Magnitogorsk I moved to the 92 th year. I do not even have a camera, there is – Panasonic.
– A could now remove the old film cameras?
– Yes, of course. I worked for my whole life. But, unfortunately, our film factory destroyed.
– You have removed a lot of stories and documentaries. Where are they?
– you know, the TV – it’s a mass grave. You there anything about anyone not find it. I have some notes, quite a bit.
By the way, on a video tape operator keeps the memories of veterans of Chernigov fraternities. In a modest apartment Vladislav Stepanovich has so his studio-production. The idea to create a film chronicle of the friendly association belongs to him. Front-line soldiers permanently leave this life, and the operator wants to keep at least a grain of memory about them:
– After a long work on television had to do something. The camera I have. That came from. To capture their memories, we came home to me, and I sat quietly on his camera recorded their stories. I found a sponsor to digitize video tapes. This video archive is not in any friendly association. Almost everyone we see has gone on record to catch up with his battalion. Now I write down memories of Afghans, children who come to us for a change.
Finally Vladislav Stepanovich showed a plot that shot of him with his colleagues at the First National
He has two TVs with home players – one for the tapes, the other – the disc
Everywhere, everywhere Magazine
to persuade Vladislav Stepanovich wear a jacket with medals, took a long time. But this is only half of awards, others he does not cling
– Vladislav Stepanovich, what feelings you ispytvat when putting this jacket?
– … Hard for me.
Today veteran will celebrate Victory Day, along with the remains of soldiers Chernigov fraternities. And I congratulate Vladislav Stepanovich Reiske and all veterans on this bright holiday. I wish you health, strength and longevity.
MediaNanny
Photo Ivanna Zubovich
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